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Marissa Lorusso

There's a lot of heart in every project Maryn Jones touches. Her lyrics – which evince struggles with self-doubt and depression, and a penchant for self-reliance – are graceful and introspective. And her voice is powerfully expressive, whether combined with the muscular, fuzzy guitars of All Dogs – the indie punk band she fronts — or providing delicate harmonies for Saintseneca, the folk-rock group of which she's a member.

As Soccer Mommy, Sophie Allison makes sweet bedroom-pop songs built from deep introspection. Allison, a Nashville native and current NYU student, tends to write straight into the heart of the confusing space between adolescence and adulthood. As a result, Soccer Mommy's songs are deeply affecting snapshots of being young in a looming city and trying to find your footing.

Note: NPR's First Listen audio comes down after the album is released.

Palm does not write music for passive listening. Out of jagged edges and complex, interlocking pieces, the Philadelphia quartet makes off-kilter art rock that demands — and rewards — your full attention. Guitarists and singers Eve Alpert and Kasra Kurt write deeply intertwined melodies that seem to bounce off each other with razor-sharp precision; Gerasimos Livitanos' twitchy, punctuated bass lines mesh with Hugo Stanley's hectic, forceful drumming. The overall effect of cohesion is transfixing.

Brooklyn-based songwriter Gabrielle Smith has decided to change the name of her band, Eskimeaux, following criticism from Canadian Inuk throat singer Tanya Tagaq. The band will now be known as Ó.

I am usually one to avoid bands with jokey names, but Cende snuck in with pretty, emo-tinged power pop before I could roll my eyes.

"Sometimes we like each other / and sometimes we just wish we were with another," sings Hannah Mohan on the title track from And The Kids' upcoming album, Friends Share Lovers. "It's okay because / friends share lovers," she later adds. As the title attests, both song and album zero in on what happens when a tight-knit group gets maybe too close.

Mitski opened her set at NPR Music's 2016 SXSW showcase with one of the catchiest songs from Bury Me At Makeout Creek, her breakout 2014 album. Over crunchy guitars and punchy drums, she recounts a house party gone wrong and details her macabre romantic prospects: "I want a love that falls as fast as a body from a balcony / I want a kiss like my heart is hitting the ground."

Watch the entire set here, or check out individual songs in the set list below.