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DAVID BIANCULLI, HOST:

For someone from my generation, which grew up with the sound, it is a complete joy to see younger artists embrace soul music in such creative ways. Equally thrilling is to witness the genre's influence in Latin America and how it has been interpreted by the region's vocalists, whose first language may not have been English.

For the longest time, people in Nashville knew Chris Stapleton as a songwriter who wrote hits for some of the biggest names in country music: Tim McGraw, Kenny Chesney, Dierks Bentley and more.

This essay is one in a series celebrating deserving artists or albums not included on NPR Music's list of 150 Greatest Albums Made By Women.

Around the turn of the millennium, hardcore had to reckon with its weirdnessand the weirdness of — becoming a viable and commercial force. At The Drive-In played the Late Show with David Letterman, Thursday's "Understanding In A Car Crash" was in regular rotation on MTV2 and The Blood Brothers' absolutely manic ... Burn, Piano Island, Burn was produced, by nü-metal diviner Ross Robinson, for a major label.

Only Walter Martin would bring a barbershop quartet to the Tiny Desk. Best known as a singer and multi-instrumentalist with the band The Walkmen, Martin has spent his solo career making unabashedly joyful, sweetly innocent and playful music perfectly suited for quirky four-part harmonies. It works particularly well on the song with which he opens this performance, "I Went Alone On A Solo Australian Tour," a brilliant and comical call-and-response story-song about, well, going alone on a solo Australian tour.

Since Fleetwood Mac released its debut album nearly 50 years ago, there have been many incarnations, comings and goings, couplings and uncouplings. But here's a new combination — Lindsey Buckingham and Christine McVie have released a record together!

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KELLY MCEVERS, HOST:

The latest powerful man to be accused of sexual misconduct is the hip-hop mogul who introduced us to sounds like this.

(SOUNDBITE OF SONG, "I NEED A BEAT (REMIX)")

In a cheerful rehearsal room at Temple University, a few dozen professional musicians inspect the instruments that they'll be playing to debut an audacious piece of music by a Pulitzer Prize-winning composer.

The composition is called "Symphony For a Broken Orchestra" and, fittingly, these instruments are all broken.

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