Today's Vintage Cafe looks back to 2003, around the time Steve Winwood made a return to rock with the album About Time. He'd had a string of massive, synth-driven pop hits in the '80s ("Higher Love," et al), but clearly felt more comfortable revisiting his roots in bands like Traffic, Blind Faith and the Spencer Davis Group.
A revolutionary Brazilian music and arts movement in 1960s Brazil, Tropicalia gave the world the initial offerings of superstars Caetano Veloso, Gilberto Gil, Os Mutantes and others. Today on Latin Roots, Ernesto Lechner discusses another Brazilian movement from the mid-'60s: Jovem Guarda. While Tropicalia drew on Brazilian influences, the artists of Jovem Guarda were more directly influenced by The Beatles and music from abroad.
Hear Lechner's Jovem Guarda Spotify playlist on this page.
JJ Grey lives in Northern Florida on what used to be his family's pecan farm — a perfect place for a band like Mofro to practice in solitude. It's in the Northern Florida/Georgia sweet spot for soul singers, another way it's ideal for Grey.
Originally published on Thu March 12, 2015 10:00 am
The Athens, Ga., indie-rock band New Madrid has released two albums, including last year's Sunswimmer, since forming in 2012. The group members acquired a space far enough outside town that they could live together and work on their songs in relative privacy. This allows them to get inspired by Athens' music scene and run home to jam and explore new ideas in the middle of the night.
On this episode of World Cafe, the band performs a few of its songs and discusses its name and history.
Kishi Bashi, a.k.a. multi-instrumentalist K Ishibashi, creates an otherworldly musical experience. On this episode of World Cafe, a string quartet joins Ishibashi to translate arrangements he often plays solo, looping his parts into complex arrangements.
The Lafayette, La., band Feufollet is this week's World Cafe: Next artist. The title of its new album, Two Universes, contains multiple references: the French and English language and culture of Southwest Louisiana, the band's two songwriters (Chris Stafford and Kelli Jones-Savoy), and Feufollet's willingness to straddle the worlds of pop and traditional Cajun music. Hear and download two of its songs on this page.
Steve Earle is back on World Cafe, and he has the blues. His new album — titled Terraplane, named for a Robert Johnson song — draws from the genre both musically and lyrically.
Earle is going through a divorce, his seventh, after an eight-year marriage to singer Allison Moorer. But even with that backdrop, these blues songs aren't downers. As Earle says here, Terraplane couldn't have happened without his current cast of backing players in The Dukes, who take it to the crossroads in this session.
Joan Shelley's music takes time to work its magic. Last year, the Louisville folk-pop singer released Electric Ursa, a patient record whose languid beauty builds and unfolds over time. Here, she performs a few of its songs for World Cafe.
PHOX's members grew up together — attending high school in Baraboo, Wisconsin — but it took some time out in the world before they decided to form a band in the nearby college town of Madison.
Together, they built PHOX's sound around the irresistible, smoky-shy voice of Monica Martin. PHOX released its charming self-titled debut last year, and today World Cafe catches up with the group on stage at World Cafe Live in Philadelphia.
There's something entrancing about the electro-funk of Sinkane. The Brooklyn band is led by Ahmed Gallab, who spent time in Sudan as a child before moving around the U.S.
Sinkane subtly incorporates East African sounds, complete with a loping repetition of lyrics and musical phrases. Last year, the band released its third album, Mean Love, and it's the most concise and poppy Sinkane record yet.