World Cafe

The premier public radio showcase for contemporary music serving up an eclectic blend that includes blues, rock, world, folk, and alternative country.

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53c03b5c588c203a47f54c51|5187f6b2e1c8cd3b9b26815c

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World Cafe
5:01 pm
Wed November 26, 2014

Jessie Ware On World Cafe

Jessie Ware.
Courtesy of the artist

This year, British singer and songwriter Jessie Ware released her second album, Tough Love. It features a number of high-profile guest songwriters — Miguel, Ed Sheeran, Benny Blanco — but Ware is the record's beating heart. Ware's songs work from a subtle, muted palette — a restrained take on the pounding pop of the '80s — with her voice adding color.

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World Cafe
12:52 pm
Wed November 26, 2014

Shakey Graves On World Cafe

Shakey Graves.
Kelsey Stanger XPN

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World Cafe
12:48 pm
Wed November 26, 2014

David Gilmour On World Cafe

Pink Floyd (from left): Richard Wright, David Gilmour and Nick Mason.
Andy Earl Courtesy of the artist

Our guest today is David Gilmour, singer, songwriter and guitarist for Pink Floyd. The venerable British psychedelic band has released what they are calling the last Pink Floyd album, The Endless River. Once again, bassist, conceptualist, singer and founding member Roger Waters is absent.

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World Cafe
2:57 pm
Mon November 24, 2014

World Cafe Next: Springtime Carnivore

Springtime Carnivore.
Eddie O'Keefe Courtesy of the artist

Greta Morgan, who records as Springtime Carnivore, writes concise, breezy pop songs, each wrapped in a warm layer of psychedelic fuzz. Her self-titled debut, co-produced by Richard Swift, came out earlier this month. Hear two songs from the album on this week's installment of World Cafe: Next.

World Cafe
2:30 pm
Mon November 24, 2014

Sylvan Esso On World Cafe

Sylvan Esso.
Elizabeth Weinberg Courtesy of the artist

Originally published on Mon November 24, 2014 5:52 pm

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World Cafe
10:21 am
Fri November 21, 2014

Bobby Charles On World Cafe

Bobby Charles.
Courtesy of the artist

Originally published on Mon November 24, 2014 12:21 pm

As a teenager in Abbeville, La., Robert Charles Guidry — better known as Bobby Charles — wrote songs that would become classics for Bill Haley and Fats Domino: "See You Later, Alligator" and "Walking To New Orleans," respectively.

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World Cafe
10:07 am
Fri November 21, 2014

Sonny Landreth On World Cafe

Sonny Landreth.
Brittany Salerno WXPN

Originally published on Mon November 24, 2014 12:21 pm

It's fitting that World Cafe ends its Sense Of Place visit to Lafayette, La., with a performance from Sonny Landreth. The inventive and unpredictable slide-guitar player is a longtime Lafayette resident and a perfect ambassador for the city's music. Landreth's first sideman gig was with zydeco king Clifton Chenier, and several of his songs — like "Congo Square" — have become Louisiana standards.

World Cafe
4:33 pm
Thu November 20, 2014

Latin Roots: Essential Latin Accordion Music

Cedric Watson.
Lucius Fontenot Courtesy of the artist

The accordion provides the point of connection for World Cafe's special Latin Roots edition of Sense Of Place: Lafayette. Diego Martin Perez, host of the radio show La Vellonera on KRVS, plays a few examples of the accordion in Latin music and lays out how these tunes relate to Cajun and zydeco styles.

Hear some of his selections at the audio link — and many more in Perez's extended Spotify playlist.

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World Cafe
4:25 pm
Thu November 20, 2014

The Lost Bayou Ramblers On World Cafe

The Lost Bayou Ramblers.
John Vettese WXPN

Originally published on Thu November 20, 2014 4:40 pm

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World Cafe
3:20 pm
Wed November 19, 2014

The History, And Future, Of Zydeco

Herman Fusilier.
John Vettese WXPN

Originally published on Thu November 20, 2014 1:38 pm

World Cafe's Sense Of Place visit to Lafayette, La., has to include a long look at zydeco music. As the host of The Zydeco Stomp on KRVS — and food and culture editor of the Lafayette newspaper The Daily Advertiser -- Herman Fusilier has made zydeco his life. Here, Fusilier discusses the differences between Cajun music and zydeco, the many styles of zydeco, and why he's not worried about the genre's future.

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