WRUR 88.5 Different Radio

Lars Gotrich

"Speedruns" are a weirdly enthralling piece of video game culture, wherein a gamer takes on titles, often older ones like Super Metroid or Sonic The Hedgehog, using every trick in the book to beat their chosen game as fast as possible.

When we last left Godflesh, the mecha-mutants of industrial metal had returned after more than a decade with 2014's devastatingly nasty A World Lit Only By Fire. It was one of those reunion albums that wasn't only better than it should've been, but a reclamation and reinvention for Justin Broadrick and G.C. Green.

Loving pop music means loving all pop music, or at least our ambiguous modern definition of it. For every "Teenage Dream" there's a "Call Your Girlfriend," for every "Safety Dance," there's a "Cloudbusting" – it's all in the same breath, both exploding and refining sugar in a space that is made for everyone, even if we don't always agree on its refinement.

Ex-squeeze me? A-baking powder? Brian Eno and My Bloody Valentine's Kevin Shields have collaborated on a new track together (for Adult Swim's Singles Program)? It's nine minutes rising seismic euphoria, blasted through the center of a black sun, its horizon bent beyond all logic? Am I alive? Am I dreaming? Don't wake me up.

Anna St. Louis' fingerpicked patterns wander through John Fahey and Elizabeth Cotten fields, her voice soft and warm; tall grass in a long day's sun. Her debut solo release, First Songs, looks to '60s folk, but the L.A.-based singer-songwriter comes from Kansas City punk and the Philly art scene. Both her background and shifting locales are reminder that what we often call familiar — especially in regards to musical style — is almost always a collection of experiences. There's rarely a singular moment informing it all.

Advisory: The above video and below language almost certainly contains content that some may find offensive.

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