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Benjamin Naddaff-Hafrey

Margo Price sings classic country songs that manage to enchant, even as they disillusion. Her steadfast voice and songwriting conjure a powerful sense of nostalgia — she emerged in 2016 with Midwest Farmer's Daughter, an album that didn't so much callback to '70s country as it did flawlessly reanimate it. But if her musical signifiers are comfortably familiar, her lyrics stand in stark opposition to that feeling.

Justin Vernon's career as Bon Iver has perfectly aligned with NPR Music's existence. It was 10 years ago this past summer that For Emma, Forever Ago began to write the project and the myth of its creation into indie-rock legend, making Vernon's own name nearly synonymous with it in the process. The idea of that cabin in the woods and Vernon's wounded, multi-tracked falsetto have since become iconic.

Despite having visited the Tiny Desk three times, and traveling to the tunnels beneath Fort Adams State Park, Jeff Tweedy has brought only a fraction of his many musical permutations to NPR Music during our first 10 years.

Tank and the Bangas' live show never fails to make an impression.

The first time the NPR Music team encountered the band, it was early 2017 and our staff was sifting through entries to our Tiny Desk Contest. It's easy to disappear into a crowd of more than 6,000, but the band's entry immediately distinguished itself through its palpable joy and arresting charisma and was, not long after, named the winner of our contest.

Those close to Adrianne Lenker know her by many names. The lead singer of Big Thief is Anne or Anna sometimes to her parents; Anna or Annie to her grandmother. She's Dran to her sister and brother, and Lunx to her college bandmates. She's Charlie sometimes to Mat Davidson of Twain, who opened at the first Big Thief show, and 'Aderrianne' to Max Oleartchik, the bassist in her own band. "She's probably many things to many people," an old teacher of hers from Berklee College of Music says. She calls her Adriannie.

Between songs at her soundcheck at PUBLIC ARTS, the venue attached to Ian Schrager's PUBLIC hotel in downtown Manhattan, Jamila Woods is quick to pull out her phone. For the Chicago-based singer, it isn't a sign of disengagement; in fact, it's just the opposite. As her musical star has risen, Woods has held onto her full-time job as the Associate Artistic Director at Young Chicago Authors. She teaches, writes curricula and trains teachers at the non-profit, and is still coordinating via email, even as she takes vacation to promote her album's re-release on Jagjaguwar Records.

After the unfortunate Songs of Innocence roll-out, many people questioned whether there was still a place for U2 in 2014 and beyond. U2 seems to have asked themselves the same question. As other, more grippingly consequential upheavals occurred over the ensuing years, the band found themselves touring their newly relevant 1987 classic, The Joshua Tree.

As with the best Van Morrison songs, "Transformation" billows out from its oft-repeated refrain. The lead single off Morrison's upcoming Roll With The Punches (out Sept. 22) consists largely of the 71-year-old Irish singer belting "gonna be a transformation" over a triumphant soul progression. But if there's been a transformation in Morrison over his long career, it isn't evident here. This is a soaring bit of classic Morrison roots-soul — and his best outing in recent years.

There's a trace of Charlie Chaplin's The Little Tramp in the way Courtney Marie Andrews struts her way through The Family Grocer in the new video for "Irene." Her character works for a small-minded manager at a local grocery store in rural Washington state. Playful at heart, she is a constant disappointment to her employer, whose managerial responsibility seems to be consumed entirely by containing Andrews' joie de vivre. Few characters could do justice to the irrepressible heart of this sweet, uplifting song — this one does.

By the end of the beautiful video for "I Would," Slow Dancer is cloaked in muddied white fur and dancing with ecstatic abandon on a frigid beach in Melbourne, Australia. If you don't know the romantic Australian singer-songwriter, you couldn't ask for a better introduction — it's a moment that captures the warmth, nostalgia and yearning that animates his work.

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